just everything lovely.
just everything lovely.
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strangelfreak:

"I’m fed up to the ears with old men dreaming up wars for young men to die in."
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tw-koreanhistory:

Gone In 41 Seconds — Police Quick to Kill Korean Artist

Feb 24, 2008
LA HABRA, Calif. — On the afternoon of December 31, 2007, two police officers encountered Michael Cho in the parking lot of a liquor store in La Habra, a small, generally quiet city in Orange County, California. It didn’t take long for the meeting to go bad. After less than a minute the officers unleashed a barrage of bullets on the 25-year-old artist, ending his life - and setting off an ongoing cascade of protests across Southern California’s Korean American community.
Computerized police logs obtained by New America Media suggest the officers quickly turned to deadly force when they confronted Cho, whom they suspected of vandalism. According to the Computer Automated Transcript documenting the incident, at 2:04 p.m. the cops contacted their dispatcher to say they’d located Cho. “Out with the subject near the liquor store,” the transcript reads. Just 41 seconds later they radioed dispatch again, this time saying they’d shot the suspect and now needed paramedics to attend to him. “Shot fired, Suspect down, Medics requested,” reads the transcript. In the aftermath of the killing, Cho’s family has publicly condemned the department, saying the officers rushed to shoot Cho, rather than using less lethal tools like pepper spray or Taser stun guns to subdue him.
“The police killed my son like a dog,” Cho’s mother, Honglan Cho, recently told the La Habra City Council. According to Shelly Lynn Kaufman, an attorney for the Cho family, the fusillade of bullets left ten holes in his body. 

Read More: http://news.newamericamedia.org/news/view_article.html?article_id=ad58d8b8031a47854d3676200f5c5be5 
tw-koreanhistory:

Gone In 41 Seconds — Police Quick to Kill Korean Artist

Feb 24, 2008
LA HABRA, Calif. — On the afternoon of December 31, 2007, two police officers encountered Michael Cho in the parking lot of a liquor store in La Habra, a small, generally quiet city in Orange County, California. It didn’t take long for the meeting to go bad. After less than a minute the officers unleashed a barrage of bullets on the 25-year-old artist, ending his life - and setting off an ongoing cascade of protests across Southern California’s Korean American community.
Computerized police logs obtained by New America Media suggest the officers quickly turned to deadly force when they confronted Cho, whom they suspected of vandalism. According to the Computer Automated Transcript documenting the incident, at 2:04 p.m. the cops contacted their dispatcher to say they’d located Cho. “Out with the subject near the liquor store,” the transcript reads. Just 41 seconds later they radioed dispatch again, this time saying they’d shot the suspect and now needed paramedics to attend to him. “Shot fired, Suspect down, Medics requested,” reads the transcript. In the aftermath of the killing, Cho’s family has publicly condemned the department, saying the officers rushed to shoot Cho, rather than using less lethal tools like pepper spray or Taser stun guns to subdue him.
“The police killed my son like a dog,” Cho’s mother, Honglan Cho, recently told the La Habra City Council. According to Shelly Lynn Kaufman, an attorney for the Cho family, the fusillade of bullets left ten holes in his body. 

Read More: http://news.newamericamedia.org/news/view_article.html?article_id=ad58d8b8031a47854d3676200f5c5be5 
tw-koreanhistory:

Gone In 41 Seconds — Police Quick to Kill Korean Artist

Feb 24, 2008
LA HABRA, Calif. — On the afternoon of December 31, 2007, two police officers encountered Michael Cho in the parking lot of a liquor store in La Habra, a small, generally quiet city in Orange County, California. It didn’t take long for the meeting to go bad. After less than a minute the officers unleashed a barrage of bullets on the 25-year-old artist, ending his life - and setting off an ongoing cascade of protests across Southern California’s Korean American community.
Computerized police logs obtained by New America Media suggest the officers quickly turned to deadly force when they confronted Cho, whom they suspected of vandalism. According to the Computer Automated Transcript documenting the incident, at 2:04 p.m. the cops contacted their dispatcher to say they’d located Cho. “Out with the subject near the liquor store,” the transcript reads. Just 41 seconds later they radioed dispatch again, this time saying they’d shot the suspect and now needed paramedics to attend to him. “Shot fired, Suspect down, Medics requested,” reads the transcript. In the aftermath of the killing, Cho’s family has publicly condemned the department, saying the officers rushed to shoot Cho, rather than using less lethal tools like pepper spray or Taser stun guns to subdue him.
“The police killed my son like a dog,” Cho’s mother, Honglan Cho, recently told the La Habra City Council. According to Shelly Lynn Kaufman, an attorney for the Cho family, the fusillade of bullets left ten holes in his body. 

Read More: http://news.newamericamedia.org/news/view_article.html?article_id=ad58d8b8031a47854d3676200f5c5be5 
tw-koreanhistory:

Gone In 41 Seconds — Police Quick to Kill Korean Artist

Feb 24, 2008
LA HABRA, Calif. — On the afternoon of December 31, 2007, two police officers encountered Michael Cho in the parking lot of a liquor store in La Habra, a small, generally quiet city in Orange County, California. It didn’t take long for the meeting to go bad. After less than a minute the officers unleashed a barrage of bullets on the 25-year-old artist, ending his life - and setting off an ongoing cascade of protests across Southern California’s Korean American community.
Computerized police logs obtained by New America Media suggest the officers quickly turned to deadly force when they confronted Cho, whom they suspected of vandalism. According to the Computer Automated Transcript documenting the incident, at 2:04 p.m. the cops contacted their dispatcher to say they’d located Cho. “Out with the subject near the liquor store,” the transcript reads. Just 41 seconds later they radioed dispatch again, this time saying they’d shot the suspect and now needed paramedics to attend to him. “Shot fired, Suspect down, Medics requested,” reads the transcript. In the aftermath of the killing, Cho’s family has publicly condemned the department, saying the officers rushed to shoot Cho, rather than using less lethal tools like pepper spray or Taser stun guns to subdue him.
“The police killed my son like a dog,” Cho’s mother, Honglan Cho, recently told the La Habra City Council. According to Shelly Lynn Kaufman, an attorney for the Cho family, the fusillade of bullets left ten holes in his body. 

Read More: http://news.newamericamedia.org/news/view_article.html?article_id=ad58d8b8031a47854d3676200f5c5be5 
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lawofwomen:

Emirati teen Zahra Lari made figure skating history this week.
The 17-year-old not only became the first figure skater from the Gulf to compete in an international competition but the first to do so wearing the hijab, an Islamic headscarf.
YES YOU CAN!!!
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thinkmexican:

Paloma Noyola: The Face of Mexico’s Unleashed Potential
When a report emerged in September 2012 that a girl from one of Matamoros’ poorest neighborhoods had attained the highest math score in Mexico, some doubted its veracity. It must be fake, they said.
But it wasn’t fake. Her name is Paloma Noyola, and what most reports failed to mention is that almost all of her classmates also scored very high on the national math test. 10 scored in the 99.99% percentile.
Paloma and her classmates also scored in the top percentile in language. Something special was happening at José Urbina López primary school in Matamoros, and Wired went to take a look.
The high test scores turned out to be the work of a young teacher who also came from humble beginnings. Sergio Juárez Correa was tired of the monotony of teaching out of a book and wanted to try something new to help engage his students when he came across the work of Sugata Mitra, a UK university professor who had innovated a new pedagogy he called SOLE, or self organized learning environments. The new approach paid off.
Although SOLE usually relies on unfettered Internet access for research, Juárez and his students had very limited access. Somehow, he still found a way to apply Mitra’s teachings and unleash their potential.
From the beginning, Paloma’s exceptional abilities were evident:

One day Juárez Correa went to his whiteboard and wrote “1 = 1.00.” Normally, at this point, he would start explaining the concept of fractions and decimals. Instead he just wrote “½ = ?” and “¼ = ?”
“Think about that for a second,” he said, and walked out of the room.
While the kids murmured, Juárez went to the school cafeteria, where children could buy breakfast and lunch for small change. He borrowed about 10 pesos in coins, worth about 75 cents, and walked back to his classroom, where he distributed a peso’s worth of coins to each table. He noticed that Paloma had already written .50 and .25 on a piece of paper.

As Mr. Juárez implemented more of Mitra’s teachings in his classroom, Paloma continued to stand out as an exceptionally gifted student:

Juárez Correa was impressed. But he was even more intrigued by Paloma. During these experiments, he noticed that she almost always came up with the answer immediately. Sometimes she explained things to her tablemates, other times she kept the answer to herself. Nobody had told him that she had an unusual gift. Yet even when he gave the class difficult questions, she quickly jotted down the answers. To test her limits, he challenged the class with a problem he was sure would stump her. He told the story of Carl Friedrich Gauss, the famous German mathematician, who was born in 1777.
When Gauss was a schoolboy, one of his teachers asked the class to add up every number between 1 and 100. It was supposed to take an hour, but Gauss had the answer almost instantly.
“Does anyone know how he did this?” Juárez Correa asked.
A few students started trying to add up the numbers and soon realized it would take a long time. Paloma, working with her group, carefully wrote out a few sequences and looked at them for a moment. Then she raised her hand.
“The answer is 5,050,” she said. “There are 50 pairs of 101.”
Juárez Correa felt a chill. He’d never encountered a student with so much innate ability. He squatted next to her and asked why she hadn’t expressed much interest in math in the past, since she was clearly good at it.
“Because no one made it this interesting,” she said.

Although this Wired piece focuses mostly on Sugata Mitra, it does once again highlight the story of Paloma Noyola. Unfortunately, after a brief spurt of media attention, little on Paloma was ever mentioned and, as was pointed out by Wired, nothing was ever said of Mr. Juárez.
As with most stories in the Mexican press — and those popular with the middle-class — things suddenly become very important once it’s featured in a gringo publication. Which is a very sad commentary. We hope, however, that this story pushes those in the press, state and federal government to look not to the United States for validation but to Mexicans like Sergio Juárez doing good work in places like Matamoros.
The clear message in this story is that there are thousands of Paloma Noyolas going to school in Mexico who, just like her at one time, are not being challenged and therefore aren’t very interested in school. This story can, if we want it to, raise enough awareness to shift the discussion from poverty to opportunity.
Paloma truly personifies both Mexico’s challenges and unleashed potential.
Read the entire Wired story here: How a Radical New Teaching Method Could Unleash a Generation of Geniuses
Editor’s note: As an addendum, Wired provided information on helping support Sugata Mitra and his School in the Clouds project, and although they donated school supplies and equipment to José Urbina López School, we’re interested in seeing if we can help set up a similar fund for Sergio Juárez, the teacher featured in this story.
Also, $9,300 was raised to help fund Paloma’s education last year. We’re going to follow up with the economist who led the fundraising campaign to see how she’s doing. Stay tuned for the updates.
Stay Connected: Twitter | Facebook
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nnekbone:

1. Antonio Douthit-Boyd, Alicia Graf Mack, Jamar Roberts and Kirven Douthit-Boyd
2. Matthew Rushing and Linda Celeste Sims
3. Linda Celeste Sims
4. Artistic Director Robert Battle, Associate Artistic Director Masazumi Chaya and members of the Company
5. Members of the Ailey company with Artistic Director Robert Battle
6. The Company
7. Jacqueline Green
8. Antonio Douthit-Boyd
9. Alicia Graf Mack
10. The Company with Artistic Director Robert Battle
Photos by Andrew Eccles
(via www.facebook.com/AlvinAileyAmericanDanceTheater)
nnekbone:

1. Antonio Douthit-Boyd, Alicia Graf Mack, Jamar Roberts and Kirven Douthit-Boyd
2. Matthew Rushing and Linda Celeste Sims
3. Linda Celeste Sims
4. Artistic Director Robert Battle, Associate Artistic Director Masazumi Chaya and members of the Company
5. Members of the Ailey company with Artistic Director Robert Battle
6. The Company
7. Jacqueline Green
8. Antonio Douthit-Boyd
9. Alicia Graf Mack
10. The Company with Artistic Director Robert Battle
Photos by Andrew Eccles
(via www.facebook.com/AlvinAileyAmericanDanceTheater)
nnekbone:

1. Antonio Douthit-Boyd, Alicia Graf Mack, Jamar Roberts and Kirven Douthit-Boyd
2. Matthew Rushing and Linda Celeste Sims
3. Linda Celeste Sims
4. Artistic Director Robert Battle, Associate Artistic Director Masazumi Chaya and members of the Company
5. Members of the Ailey company with Artistic Director Robert Battle
6. The Company
7. Jacqueline Green
8. Antonio Douthit-Boyd
9. Alicia Graf Mack
10. The Company with Artistic Director Robert Battle
Photos by Andrew Eccles
(via www.facebook.com/AlvinAileyAmericanDanceTheater)
nnekbone:

1. Antonio Douthit-Boyd, Alicia Graf Mack, Jamar Roberts and Kirven Douthit-Boyd
2. Matthew Rushing and Linda Celeste Sims
3. Linda Celeste Sims
4. Artistic Director Robert Battle, Associate Artistic Director Masazumi Chaya and members of the Company
5. Members of the Ailey company with Artistic Director Robert Battle
6. The Company
7. Jacqueline Green
8. Antonio Douthit-Boyd
9. Alicia Graf Mack
10. The Company with Artistic Director Robert Battle
Photos by Andrew Eccles
(via www.facebook.com/AlvinAileyAmericanDanceTheater)
nnekbone:

1. Antonio Douthit-Boyd, Alicia Graf Mack, Jamar Roberts and Kirven Douthit-Boyd
2. Matthew Rushing and Linda Celeste Sims
3. Linda Celeste Sims
4. Artistic Director Robert Battle, Associate Artistic Director Masazumi Chaya and members of the Company
5. Members of the Ailey company with Artistic Director Robert Battle
6. The Company
7. Jacqueline Green
8. Antonio Douthit-Boyd
9. Alicia Graf Mack
10. The Company with Artistic Director Robert Battle
Photos by Andrew Eccles
(via www.facebook.com/AlvinAileyAmericanDanceTheater)
nnekbone:

1. Antonio Douthit-Boyd, Alicia Graf Mack, Jamar Roberts and Kirven Douthit-Boyd
2. Matthew Rushing and Linda Celeste Sims
3. Linda Celeste Sims
4. Artistic Director Robert Battle, Associate Artistic Director Masazumi Chaya and members of the Company
5. Members of the Ailey company with Artistic Director Robert Battle
6. The Company
7. Jacqueline Green
8. Antonio Douthit-Boyd
9. Alicia Graf Mack
10. The Company with Artistic Director Robert Battle
Photos by Andrew Eccles
(via www.facebook.com/AlvinAileyAmericanDanceTheater)
nnekbone:

1. Antonio Douthit-Boyd, Alicia Graf Mack, Jamar Roberts and Kirven Douthit-Boyd
2. Matthew Rushing and Linda Celeste Sims
3. Linda Celeste Sims
4. Artistic Director Robert Battle, Associate Artistic Director Masazumi Chaya and members of the Company
5. Members of the Ailey company with Artistic Director Robert Battle
6. The Company
7. Jacqueline Green
8. Antonio Douthit-Boyd
9. Alicia Graf Mack
10. The Company with Artistic Director Robert Battle
Photos by Andrew Eccles
(via www.facebook.com/AlvinAileyAmericanDanceTheater)
nnekbone:

1. Antonio Douthit-Boyd, Alicia Graf Mack, Jamar Roberts and Kirven Douthit-Boyd
2. Matthew Rushing and Linda Celeste Sims
3. Linda Celeste Sims
4. Artistic Director Robert Battle, Associate Artistic Director Masazumi Chaya and members of the Company
5. Members of the Ailey company with Artistic Director Robert Battle
6. The Company
7. Jacqueline Green
8. Antonio Douthit-Boyd
9. Alicia Graf Mack
10. The Company with Artistic Director Robert Battle
Photos by Andrew Eccles
(via www.facebook.com/AlvinAileyAmericanDanceTheater)
nnekbone:

1. Antonio Douthit-Boyd, Alicia Graf Mack, Jamar Roberts and Kirven Douthit-Boyd
2. Matthew Rushing and Linda Celeste Sims
3. Linda Celeste Sims
4. Artistic Director Robert Battle, Associate Artistic Director Masazumi Chaya and members of the Company
5. Members of the Ailey company with Artistic Director Robert Battle
6. The Company
7. Jacqueline Green
8. Antonio Douthit-Boyd
9. Alicia Graf Mack
10. The Company with Artistic Director Robert Battle
Photos by Andrew Eccles
(via www.facebook.com/AlvinAileyAmericanDanceTheater)
nnekbone:

1. Antonio Douthit-Boyd, Alicia Graf Mack, Jamar Roberts and Kirven Douthit-Boyd
2. Matthew Rushing and Linda Celeste Sims
3. Linda Celeste Sims
4. Artistic Director Robert Battle, Associate Artistic Director Masazumi Chaya and members of the Company
5. Members of the Ailey company with Artistic Director Robert Battle
6. The Company
7. Jacqueline Green
8. Antonio Douthit-Boyd
9. Alicia Graf Mack
10. The Company with Artistic Director Robert Battle
Photos by Andrew Eccles
(via www.facebook.com/AlvinAileyAmericanDanceTheater)
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Mocha Kids Magazine